I huffed these religously as a kid. Blueberry & Strawberry at the same damn time. @aja0422 use to chase me with the licorice one…

fy90s:

Mr. Sketch Scented Markers (sniff sniff)

I huffed these religously as a kid. Blueberry & Strawberry at the same damn time. @aja0422 use to chase me with the licorice one…

fy90s:

Mr. Sketch Scented Markers (sniff sniff)

valorcoalition:

Come vibe with Arizona’s very own @PicksterOne for #FADED w/ support by @beatskill. Saturday June 8th @graveyard_eav.
Arizona-based DJ and music producer Pickster One has been making waves on the Tempe and Phoenix scene since his arrival in 1998. With his forward-thinking and highly innovative DJ sets, he has put himself into a genre all his own and has developed an incredibly diverse fan base. Pickster One takes influences from a broad scope of musical genres including Hip-hop, Electro, Dubstep, and countless other experimental, electronic genres to form a new-school, high-energy set that rocks the party and keeps the dance floor packed.

Pickster One, a.k.a. Dusty Hickman, born to Jerry and Mercy Hickman of small town Prundale, California, population 7,000 just outside of Monterey. With limited access to entertainment and music as a child, Pickster recorded music off the television onto his boom-box, listening to it over and over again on his headphones, sometimes late into the night while others slept. A natural-born music selector and collector, Pickster quickly began adapting his musical tastes to the booming Boom Bap style of the hip-hop culture in the late 80’s early 90’s.
Post high school, Pickster left the sleepy town to pursue and receive a degree in culinary arts from Le Cordon Bleu in Scottsdale, Arizona. He made the move with his long time pal, Ricardo, and it allowed him to quickly jump into the DJ scene to further develop his skills as a blooming Hip Hop and Scratch DJ. Pickster quickly began cultivating his skill while rubbing elbows with Phoenix and Tempe heavy-hitters.

As a leader in innovative style, Pickster quickly began to form one of the first ever “turntable bands” entitled Morse Code in the late 1990′s. Made up of 4 DJ’s, the bands concept was to create the individual sounds of a traditional band through scratch composition and sampled beat patterns which ultimately evolved into a perfect musical backdrop for MC’s to rap or sing on. Morse Code blew away the competition with its truly revolutionary rhythmic sounds—the first of its kind. Performing constantly around the nation, Morse Code quickly became an international act as they were asked to perform at the Disco Mixing Challenge (DMC Battle) USA Finals in 2004. Morse Code performed as featured special artist, performing a tribute set to legendary Jamaster Jay of Run DMC at the Henry Fonda Theatre in Los Angeles, CA, in front of a sold out theatre.

Pickster also got the opportunity to play alongside the 8 piece live Hip-Hop band called, “Drunken Immortals”. 8 years, 3 Full length albums, Multiple National US Tours, and a few run down RV’s, Pickster developed his ear and skills to be able to play along with live musicians as a DJ/Turntablist.  No longer with the group. Pickster continues to collaborate and work with all the members of the band, Including Dumperfoo and Scott White which are in Crusher Sound System.

In 2008 Pickster was inducted into the world renowned “Furious Styles Crew”. FSC known for their world class B-Boy crew wining compitions all over the world since 1993.  Joining the ranks of legendary Arizona DJ’s such as DJ Z-Trip, DJ Element, DJ Radar, DJ Senbad and more.

Pickster earned his stripes as a solo artist through the highly competitive AZ rave, warehouse, and club party scenes throughout the 2000’s. At the time, Arizona was notorious for its DJ’s, who sometimes literally pushed others off stage during their set performance, if the DJ so much as took too long to change records mid-set. Surviving massive competition during this time, Pickster One persevered and was further able to develop an even wider spectrum of music to pull from. Today, he can rock any kind of party at any given time.

In 2005, Pickster began touring the United States on a much larger scale, doing fifteen tours as a solo act playing clubs, festivals, and warehouses, and often as the house DJ for touring Hip-Hop Acts . Some of these tours included “We Book Our Own Tour” with Los Angeles-based MC 2Mex that reached fifty US cities in sixty days. In 2009, Pickster took his career overseas to Europe DJing with Crusher Sound System, in Paris, St. Etienne, Lyon, Nancy, and Le Mans, France. He performed in Grenada, Barcelona, Malaga, and Seville, Spain as well as Geneva and Zurich, Switzerland, Praug, Czech Republic, Dresden and Berlin, Germany, and Athens, Greece. Pickster also performed at the infamous SXSW music festival in 2009 on the “Strange Famous Records”stage with 2mex, Free Moral Agents and Sage Francis. The performance was such a success, he was quickly booked to make widely successful 2009 Strange Famous Megamix, a Record Label Sampler that was officially put out by XLR8R magazine. To date the colorful musician has over twenty full-length mix CD’s under his belt as a turntable-artist.

Over the past 10 years, Pickster has taken on numerous weekly and monthly club events including the longest-running Arizona Hip-Hop club night, The Legendary Blunt Club. Other events include the newly-spawned dance night, Move Somethin, Solstice, Downtime, Ill-Matic, and many other nights. In 2009, Pickster revamped his creative style and hit the electronic music scene like a Cat 5 hurricane. Playing hundreds of rave events and festivals, Pickster continues to tear up the Phoenix Electro and House dance scenes with his Hip-Hop/Scratch roots to party rock, pop wheelies and often brings something new to keep his fan base strong in the ever-changing electronic dance scene. Just this past year, Pickster shared the stage with Z-Trip, Bassnectar, Glitchmob, A-Trak, Diplo, Santigold, and Rusko, to name a few.
In 2007, Pickster began his latest side-project group, entitled Crusher Sound System, which gained widespread acclaim in 2009. Crusher is a DJ-based outfit which delivers centrally as DJ based turntable beats, mixed with live drumming, keys, samplers, and drum machines while keeping it fresh with live canvas painting on stage. Crusher Sound System has certainly hit the ground running with instant local success, selling out their first handful of shows in Arizona. The band has seen their fan base literally double each time they have played, even before having an official album release. Be sure to check them out in 2010.

Pickster One, a revolutionary beyond his years, never misses a chance to lead others into new sounds and musical genres with his kaleidoscopic range of musical taste and innovation. Pulling from a variety of musical backgrounds and genres, Pickster fully embraces the high speed and physto-ADD attention span of his listeners while adhering to the challenges and bends of a changing market in a tumultuous and rampant musical scene. The big pay-off to him is not only a successful show or a good time, but the essential DJ experience of creating a scintillating playground for senses, while controlling the vibes of the bumping crowd. With his eye on the future, Pickster One is heading into 2010 running, hitting the club, electro, bar, rave and music festival scene with never-ending positivity, mold-ability, creative light, and changing approach to rock electronic-based dance music like it has never been rocked before. With open ears and eyes this DJ is certainly one who will be making waves, and we can’t wait to watch, listen, and respect.

valorcoalition:

Come vibe with Arizona’s very own @PicksterOne for #FADED w/ support by @beatskill. Saturday June 8th @graveyard_eav.

Arizona-based DJ and music producer Pickster One has been making waves on the Tempe and Phoenix scene since his arrival in 1998. With his forward-thinking and highly innovative DJ sets, he has put himself into a genre all his own and has developed an incredibly diverse fan base. Pickster One takes influences from a broad scope of musical genres including Hip-hop, Electro, Dubstep, and countless other experimental, electronic genres to form a new-school, high-energy set that rocks the party and keeps the dance floor packed.

Pickster One, a.k.a. Dusty Hickman, born to Jerry and Mercy Hickman of small town Prundale, California, population 7,000 just outside of Monterey. With limited access to entertainment and music as a child, Pickster recorded music off the television onto his boom-box, listening to it over and over again on his headphones, sometimes late into the night while others slept. A natural-born music selector and collector, Pickster quickly began adapting his musical tastes to the booming Boom Bap style of the hip-hop culture in the late 80’s early 90’s.

Post high school, Pickster left the sleepy town to pursue and receive a degree in culinary arts from Le Cordon Bleu in Scottsdale, Arizona. He made the move with his long time pal, Ricardo, and it allowed him to quickly jump into the DJ scene to further develop his skills as a blooming Hip Hop and Scratch DJ. Pickster quickly began cultivating his skill while rubbing elbows with Phoenix and Tempe heavy-hitters.

As a leader in innovative style, Pickster quickly began to form one of the first ever “turntable bands” entitled Morse Code in the late 1990′s. Made up of 4 DJ’s, the bands concept was to create the individual sounds of a traditional band through scratch composition and sampled beat patterns which ultimately evolved into a perfect musical backdrop for MC’s to rap or sing on. Morse Code blew away the competition with its truly revolutionary rhythmic sounds—the first of its kind. Performing constantly around the nation, Morse Code quickly became an international act as they were asked to perform at the Disco Mixing Challenge (DMC Battle) USA Finals in 2004. Morse Code performed as featured special artist, performing a tribute set to legendary Jamaster Jay of Run DMC at the Henry Fonda Theatre in Los Angeles, CA, in front of a sold out theatre.

Pickster also got the opportunity to play alongside the 8 piece live Hip-Hop band called, “Drunken Immortals”. 8 years, 3 Full length albums, Multiple National US Tours, and a few run down RV’s, Pickster developed his ear and skills to be able to play along with live musicians as a DJ/Turntablist.  No longer with the group. Pickster continues to collaborate and work with all the members of the band, Including Dumperfoo and Scott White which are in Crusher Sound System.

In 2008 Pickster was inducted into the world renowned “Furious Styles Crew”. FSC known for their world class B-Boy crew wining compitions all over the world since 1993.  Joining the ranks of legendary Arizona DJ’s such as DJ Z-Trip, DJ Element, DJ Radar, DJ Senbad and more.

Pickster earned his stripes as a solo artist through the highly competitive AZ rave, warehouse, and club party scenes throughout the 2000’s. At the time, Arizona was notorious for its DJ’s, who sometimes literally pushed others off stage during their set performance, if the DJ so much as took too long to change records mid-set. Surviving massive competition during this time, Pickster One persevered and was further able to develop an even wider spectrum of music to pull from. Today, he can rock any kind of party at any given time.

In 2005, Pickster began touring the United States on a much larger scale, doing fifteen tours as a solo act playing clubs, festivals, and warehouses, and often as the house DJ for touring Hip-Hop Acts . Some of these tours included “We Book Our Own Tour” with Los Angeles-based MC 2Mex that reached fifty US cities in sixty days. In 2009, Pickster took his career overseas to Europe DJing with Crusher Sound System, in Paris, St. Etienne, Lyon, Nancy, and Le Mans, France. He performed in Grenada, Barcelona, Malaga, and Seville, Spain as well as Geneva and Zurich, Switzerland, Praug, Czech Republic, Dresden and Berlin, Germany, and Athens, Greece. Pickster also performed at the infamous SXSW music festival in 2009 on the “Strange Famous Records”stage with 2mex, Free Moral Agents and Sage Francis. The performance was such a success, he was quickly booked to make widely successful 2009 Strange Famous Megamix, a Record Label Sampler that was officially put out by XLR8R magazine. To date the colorful musician has over twenty full-length mix CD’s under his belt as a turntable-artist.

Over the past 10 years, Pickster has taken on numerous weekly and monthly club events including the longest-running Arizona Hip-Hop club night, The Legendary Blunt Club. Other events include the newly-spawned dance night, Move Somethin, Solstice, Downtime, Ill-Matic, and many other nights. In 2009, Pickster revamped his creative style and hit the electronic music scene like a Cat 5 hurricane. Playing hundreds of rave events and festivals, Pickster continues to tear up the Phoenix Electro and House dance scenes with his Hip-Hop/Scratch roots to party rock, pop wheelies and often brings something new to keep his fan base strong in the ever-changing electronic dance scene. Just this past year, Pickster shared the stage with Z-Trip, Bassnectar, Glitchmob, A-Trak, Diplo, Santigold, and Rusko, to name a few.


In 2007, Pickster began his latest side-project group, entitled Crusher Sound System, which gained widespread acclaim in 2009. Crusher is a DJ-based outfit which delivers centrally as DJ based turntable beats, mixed with live drumming, keys, samplers, and drum machines while keeping it fresh with live canvas painting on stage. Crusher Sound System has certainly hit the ground running with instant local success, selling out their first handful of shows in Arizona. The band has seen their fan base literally double each time they have played, even before having an official album release. Be sure to check them out in 2010.

Pickster One, a revolutionary beyond his years, never misses a chance to lead others into new sounds and musical genres with his kaleidoscopic range of musical taste and innovation. Pulling from a variety of musical backgrounds and genres, Pickster fully embraces the high speed and physto-ADD attention span of his listeners while adhering to the challenges and bends of a changing market in a tumultuous and rampant musical scene. The big pay-off to him is not only a successful show or a good time, but the essential DJ experience of creating a scintillating playground for senses, while controlling the vibes of the bumping crowd. With his eye on the future, Pickster One is heading into 2010 running, hitting the club, electro, bar, rave and music festival scene with never-ending positivity, mold-ability, creative light, and changing approach to rock electronic-based dance music like it has never been rocked before. With open ears and eyes this DJ is certainly one who will be making waves, and we can’t wait to watch, listen, and respect.

Bricks all in my blood, birds all in my dreams
Boats all in my yard, lemon pepper my wings
I’m bout to get you fuck niggas wacked, you ain’t even know it
Your main nigga bout to turn his back, you ain’t even know it


Rocko - U.O.E.N.O (Extended Remix Video) from Gino Spangenberg on Vimeo.
Bricks all in my blood, birds all in my dreams
Boats all in my yard, lemon pepper my wings
I’m bout to get you fuck niggas wacked, you ain’t even know it
Your main nigga bout to turn his back, you ain’t even know it

Rocko - U.O.E.N.O (Extended Remix Video) from Gino Spangenberg on Vimeo.

(Source: weheartit.com, via brutalgeneration)

getting sideways.

getting sideways.

(Source: njborn95, via 6g72)

vicemag:

Photographing the Soul of UK Garage 
Over the last few years, it’s become increasingly clear that we didn’t appreciate UK garage to the extent that we should have. You can’t help but think that most of the DJs, producers, filmmakers, and fashion designers referencing Todd Edwards and Ben Sherman in their work today actually grew up listening to Coal Chamber and wearing JNCO jeans. 
One man who was definitely there, however, is photographer Ewen Spencer. Ewen’s done a lot of things over the years, from working with the White Stripes and documenting the halcyon days of grime (if there was ever such a thing) in his book Open Mic, to taking the liner photos for Original Pirate Material. His latest project concerns the increasingly lauded but still somewhat undocumented world of UKG, and comes in the form of a new book, Brandy & Coke.
The photos are fantastic, perfectly capturing the atmosphere of those early garage nights all my friends’ older brothers claim to have been at. The newspaper-print trousers and YSL button-downs are all there in the forefront, being splashed by open bottles of champagne and classy drinks. After a good few hours of longingly staring at the photos, wishing I was one of the satin-suited people in them, I decided to catch up with Ewen to talk garage, grime, garms and whether or not ex-Newcastle striker Andy Cole really was one of the “original 50 garage ravers.”
You can find some of these images and some words from Ewen in the latest issue of VICE Magazine.

VICE: Hi, Ewen. So, when did you first hear the term garage used in relation to dance music?Ewen Spencer: In the early 90s, but that would have been American garage, like house music. New York vocal house music would have been called “garage.” I first heard it on the soul scene, probably. At that time, it was crossing over and me and my pals were going to soul parties, avoiding the atrocious rave scene. House music was infiltrating the soul scene and, at that time, garage was basically soulful house.
There’s this debate about who the true parents of UK garage are—what’s your opinion on that?Yeah, I think it’s a worthwhile debate. It came from America, it didn’t come from rave culture. Rave culture was British. It came from Detroit, America, which is when we started to hear house music in the club—in Newcastle, for instance. We liked all of that stuff, but it was placed side by side with soul music: Soul II Soul, modern soul, SOS Band, all that shit. So I guess rave became overground and house music changed and became something else. And then I’d say speed garage came out of New Jersey and was popularized over here. 
Continue

vicemag:

Photographing the Soul of UK Garage 

Over the last few years, it’s become increasingly clear that we didn’t appreciate UK garage to the extent that we should have. You can’t help but think that most of the DJs, producers, filmmakers, and fashion designers referencing Todd Edwards and Ben Sherman in their work today actually grew up listening to Coal Chamber and wearing JNCO jeans. 

One man who was definitely there, however, is photographer Ewen Spencer. Ewen’s done a lot of things over the years, from working with the White Stripes and documenting the halcyon days of grime (if there was ever such a thing) in his book Open Mic, to taking the liner photos for Original Pirate Material. His latest project concerns the increasingly lauded but still somewhat undocumented world of UKG, and comes in the form of a new book, Brandy & Coke.

The photos are fantastic, perfectly capturing the atmosphere of those early garage nights all my friends’ older brothers claim to have been at. The newspaper-print trousers and YSL button-downs are all there in the forefront, being splashed by open bottles of champagne and classy drinks. After a good few hours of longingly staring at the photos, wishing I was one of the satin-suited people in them, I decided to catch up with Ewen to talk garage, grime, garms and whether or not ex-Newcastle striker Andy Cole really was one of the “original 50 garage ravers.”

You can find some of these images and some words from Ewen in the latest issue of VICE Magazine.

VICE: Hi, Ewen. So, when did you first hear the term garage used in relation to dance music?
Ewen Spencer: In the early 90s, but that would have been American garage, like house music. New York vocal house music would have been called “garage.” I first heard it on the soul scene, probably. At that time, it was crossing over and me and my pals were going to soul parties, avoiding the atrocious rave scene. House music was infiltrating the soul scene and, at that time, garage was basically soulful house.

There’s this debate about who the true parents of UK garage are—what’s your opinion on that?
Yeah, I think it’s a worthwhile debate. It came from America, it didn’t come from rave culture. Rave culture was British. It came from Detroit, America, which is when we started to hear house music in the club—in Newcastle, for instance. We liked all of that stuff, but it was placed side by side with soul music: Soul II Soul, modern soul, SOS Band, all that shit. So I guess rave became overground and house music changed and became something else. And then I’d say speed garage came out of New Jersey and was popularized over here. 

Continue


@graveyard_eav hosts Arizona’s very own @PicksterOne for #FADED w/ support by @beatskill. Saturday June 8th @graveyard_eav.
Arizona-based DJ and music producer Pickster One has been making waves on the Tempe and Phoenix scene since his arrival in 1998. With his forward-thinking and highly innovative DJ sets, he has put himself into a genre all his own and has developed an incredibly diverse fan base. Pickster One takes influences from a broad scope of musical genres including Hip-hop, Electro, Dubstep, and countless other experimental, electronic genres to form a new-school, high-energy set that rocks the party and keeps the dance floor packed.

Pickster One, a.k.a. Dusty Hickman, born to Jerry and Mercy Hickman of small town Prundale, California, population 7,000 just outside of Monterey. With limited access to entertainment and music as a child, Pickster recorded music off the television onto his boom-box, listening to it over and over again on his headphones, sometimes late into the night while others slept. A natural-born music selector and collector, Pickster quickly began adapting his musical tastes to the booming Boom Bap style of the hip-hop culture in the late 80’s early 90’s.
Post high school, Pickster left the sleepy town to pursue and receive a degree in culinary arts from Le Cordon Bleu in Scottsdale, Arizona. He made the move with his long time pal, Ricardo, and it allowed him to quickly jump into the DJ scene to further develop his skills as a blooming Hip Hop and Scratch DJ. Pickster quickly began cultivating his skill while rubbing elbows with Phoenix and Tempe heavy-hitters.

As a leader in innovative style, Pickster quickly began to form one of the first ever “turntable bands” entitled Morse Code in the late 1990′s. Made up of 4 DJ’s, the bands concept was to create the individual sounds of a traditional band through scratch composition and sampled beat patterns which ultimately evolved into a perfect musical backdrop for MC’s to rap or sing on. Morse Code blew away the competition with its truly revolutionary rhythmic sounds—the first of its kind. Performing constantly around the nation, Morse Code quickly became an international act as they were asked to perform at the Disco Mixing Challenge (DMC Battle) USA Finals in 2004. Morse Code performed as featured special artist, performing a tribute set to legendary Jamaster Jay of Run DMC at the Henry Fonda Theatre in Los Angeles, CA, in front of a sold out theatre.

Pickster also got the opportunity to play alongside the 8 piece live Hip-Hop band called, “Drunken Immortals”. 8 years, 3 Full length albums, Multiple National US Tours, and a few run down RV’s, Pickster developed his ear and skills to be able to play along with live musicians as a DJ/Turntablist.  No longer with the group. Pickster continues to collaborate and work with all the members of the band, Including Dumperfoo and Scott White which are in Crusher Sound System.

In 2008 Pickster was inducted into the world renowned “Furious Styles Crew”. FSC known for their world class B-Boy crew wining compitions all over the world since 1993.  Joining the ranks of legendary Arizona DJ’s such as DJ Z-Trip, DJ Element, DJ Radar, DJ Senbad and more.

Pickster earned his stripes as a solo artist through the highly competitive AZ rave, warehouse, and club party scenes throughout the 2000’s. At the time, Arizona was notorious for its DJ’s, who sometimes literally pushed others off stage during their set performance, if the DJ so much as took too long to change records mid-set. Surviving massive competition during this time, Pickster One persevered and was further able to develop an even wider spectrum of music to pull from. Today, he can rock any kind of party at any given time.

In 2005, Pickster began touring the United States on a much larger scale, doing fifteen tours as a solo act playing clubs, festivals, and warehouses, and often as the house DJ for touring Hip-Hop Acts . Some of these tours included “We Book Our Own Tour” with Los Angeles-based MC 2Mex that reached fifty US cities in sixty days. In 2009, Pickster took his career overseas to Europe DJing with Crusher Sound System, in Paris, St. Etienne, Lyon, Nancy, and Le Mans, France. He performed in Grenada, Barcelona, Malaga, and Seville, Spain as well as Geneva and Zurich, Switzerland, Praug, Czech Republic, Dresden and Berlin, Germany, and Athens, Greece. Pickster also performed at the infamous SXSW music festival in 2009 on the “Strange Famous Records”stage with 2mex, Free Moral Agents and Sage Francis. The performance was such a success, he was quickly booked to make widely successful 2009 Strange Famous Megamix, a Record Label Sampler that was officially put out by XLR8R magazine. To date the colorful musician has over twenty full-length mix CD’s under his belt as a turntable-artist.

Over the past 10 years, Pickster has taken on numerous weekly and monthly club events including the longest-running Arizona Hip-Hop club night, The Legendary Blunt Club. Other events include the newly-spawned dance night, Move Somethin, Solstice, Downtime, Ill-Matic, and many other nights. In 2009, Pickster revamped his creative style and hit the electronic music scene like a Cat 5 hurricane. Playing hundreds of rave events and festivals, Pickster continues to tear up the Phoenix Electro and House dance scenes with his Hip-Hop/Scratch roots to party rock, pop wheelies and often brings something new to keep his fan base strong in the ever-changing electronic dance scene. Just this past year, Pickster shared the stage with Z-Trip, Bassnectar, Glitchmob, A-Trak, Diplo, Santigold, and Rusko, to name a few.
In 2007, Pickster began his latest side-project group, entitled Crusher Sound System, which gained widespread acclaim in 2009. Crusher is a DJ-based outfit which delivers centrally as DJ based turntable beats, mixed with live drumming, keys, samplers, and drum machines while keeping it fresh with live canvas painting on stage. Crusher Sound System has certainly hit the ground running with instant local success, selling out their first handful of shows in Arizona. The band has seen their fan base literally double each time they have played, even before having an official album release. Be sure to check them out in 2010.

Pickster One, a revolutionary beyond his years, never misses a chance to lead others into new sounds and musical genres with his kaleidoscopic range of musical taste and innovation. Pulling from a variety of musical backgrounds and genres, Pickster fully embraces the high speed and physto-ADD attention span of his listeners while adhering to the challenges and bends of a changing market in a tumultuous and rampant musical scene. The big pay-off to him is not only a successful show or a good time, but the essential DJ experience of creating a scintillating playground for senses, while controlling the vibes of the bumping crowd. With his eye on the future, Pickster One is heading into 2010 running, hitting the club, electro, bar, rave and music festival scene with never-ending positivity, mold-ability, creative light, and changing approach to rock electronic-based dance music like it has never been rocked before. With open ears and eyes this DJ is certainly one who will be making waves, and we can’t wait to watch, listen, and respect.


@graveyard_eav hosts Arizona’s very own @PicksterOne for #FADED w/ support by @beatskill. Saturday June 8th @graveyard_eav.

Arizona-based DJ and music producer Pickster One has been making waves on the Tempe and Phoenix scene since his arrival in 1998. With his forward-thinking and highly innovative DJ sets, he has put himself into a genre all his own and has developed an incredibly diverse fan base. Pickster One takes influences from a broad scope of musical genres including Hip-hop, Electro, Dubstep, and countless other experimental, electronic genres to form a new-school, high-energy set that rocks the party and keeps the dance floor packed.

Pickster One, a.k.a. Dusty Hickman, born to Jerry and Mercy Hickman of small town Prundale, California, population 7,000 just outside of Monterey. With limited access to entertainment and music as a child, Pickster recorded music off the television onto his boom-box, listening to it over and over again on his headphones, sometimes late into the night while others slept. A natural-born music selector and collector, Pickster quickly began adapting his musical tastes to the booming Boom Bap style of the hip-hop culture in the late 80’s early 90’s.

Post high school, Pickster left the sleepy town to pursue and receive a degree in culinary arts from Le Cordon Bleu in Scottsdale, Arizona. He made the move with his long time pal, Ricardo, and it allowed him to quickly jump into the DJ scene to further develop his skills as a blooming Hip Hop and Scratch DJ. Pickster quickly began cultivating his skill while rubbing elbows with Phoenix and Tempe heavy-hitters.

As a leader in innovative style, Pickster quickly began to form one of the first ever “turntable bands” entitled Morse Code in the late 1990′s. Made up of 4 DJ’s, the bands concept was to create the individual sounds of a traditional band through scratch composition and sampled beat patterns which ultimately evolved into a perfect musical backdrop for MC’s to rap or sing on. Morse Code blew away the competition with its truly revolutionary rhythmic sounds—the first of its kind. Performing constantly around the nation, Morse Code quickly became an international act as they were asked to perform at the Disco Mixing Challenge (DMC Battle) USA Finals in 2004. Morse Code performed as featured special artist, performing a tribute set to legendary Jamaster Jay of Run DMC at the Henry Fonda Theatre in Los Angeles, CA, in front of a sold out theatre.

Pickster also got the opportunity to play alongside the 8 piece live Hip-Hop band called, “Drunken Immortals”. 8 years, 3 Full length albums, Multiple National US Tours, and a few run down RV’s, Pickster developed his ear and skills to be able to play along with live musicians as a DJ/Turntablist.  No longer with the group. Pickster continues to collaborate and work with all the members of the band, Including Dumperfoo and Scott White which are in Crusher Sound System.

In 2008 Pickster was inducted into the world renowned “Furious Styles Crew”. FSC known for their world class B-Boy crew wining compitions all over the world since 1993.  Joining the ranks of legendary Arizona DJ’s such as DJ Z-Trip, DJ Element, DJ Radar, DJ Senbad and more.

Pickster earned his stripes as a solo artist through the highly competitive AZ rave, warehouse, and club party scenes throughout the 2000’s. At the time, Arizona was notorious for its DJ’s, who sometimes literally pushed others off stage during their set performance, if the DJ so much as took too long to change records mid-set. Surviving massive competition during this time, Pickster One persevered and was further able to develop an even wider spectrum of music to pull from. Today, he can rock any kind of party at any given time.

In 2005, Pickster began touring the United States on a much larger scale, doing fifteen tours as a solo act playing clubs, festivals, and warehouses, and often as the house DJ for touring Hip-Hop Acts . Some of these tours included “We Book Our Own Tour” with Los Angeles-based MC 2Mex that reached fifty US cities in sixty days. In 2009, Pickster took his career overseas to Europe DJing with Crusher Sound System, in Paris, St. Etienne, Lyon, Nancy, and Le Mans, France. He performed in Grenada, Barcelona, Malaga, and Seville, Spain as well as Geneva and Zurich, Switzerland, Praug, Czech Republic, Dresden and Berlin, Germany, and Athens, Greece. Pickster also performed at the infamous SXSW music festival in 2009 on the “Strange Famous Records”stage with 2mex, Free Moral Agents and Sage Francis. The performance was such a success, he was quickly booked to make widely successful 2009 Strange Famous Megamix, a Record Label Sampler that was officially put out by XLR8R magazine. To date the colorful musician has over twenty full-length mix CD’s under his belt as a turntable-artist.

Over the past 10 years, Pickster has taken on numerous weekly and monthly club events including the longest-running Arizona Hip-Hop club night, The Legendary Blunt Club. Other events include the newly-spawned dance night, Move Somethin, Solstice, Downtime, Ill-Matic, and many other nights. In 2009, Pickster revamped his creative style and hit the electronic music scene like a Cat 5 hurricane. Playing hundreds of rave events and festivals, Pickster continues to tear up the Phoenix Electro and House dance scenes with his Hip-Hop/Scratch roots to party rock, pop wheelies and often brings something new to keep his fan base strong in the ever-changing electronic dance scene. Just this past year, Pickster shared the stage with Z-Trip, Bassnectar, Glitchmob, A-Trak, Diplo, Santigold, and Rusko, to name a few.


In 2007, Pickster began his latest side-project group, entitled Crusher Sound System, which gained widespread acclaim in 2009. Crusher is a DJ-based outfit which delivers centrally as DJ based turntable beats, mixed with live drumming, keys, samplers, and drum machines while keeping it fresh with live canvas painting on stage. Crusher Sound System has certainly hit the ground running with instant local success, selling out their first handful of shows in Arizona. The band has seen their fan base literally double each time they have played, even before having an official album release. Be sure to check them out in 2010.

Pickster One, a revolutionary beyond his years, never misses a chance to lead others into new sounds and musical genres with his kaleidoscopic range of musical taste and innovation. Pulling from a variety of musical backgrounds and genres, Pickster fully embraces the high speed and physto-ADD attention span of his listeners while adhering to the challenges and bends of a changing market in a tumultuous and rampant musical scene. The big pay-off to him is not only a successful show or a good time, but the essential DJ experience of creating a scintillating playground for senses, while controlling the vibes of the bumping crowd. With his eye on the future, Pickster One is heading into 2010 running, hitting the club, electro, bar, rave and music festival scene with never-ending positivity, mold-ability, creative light, and changing approach to rock electronic-based dance music like it has never been rocked before. With open ears and eyes this DJ is certainly one who will be making waves, and we can’t wait to watch, listen, and respect.

(Source: valorcoalition)

taktophoto:

Most interesting abandoned places in the world

(via clatek)

Scoobies are my favorite. hands down

(Source: illest-cars, via legitcars)

For those I love I will sacrifice.
an amazing photo.

For those I love I will sacrifice.

an amazing photo.

(Source: fakee-bitchess, via ktownbeast)

just dump it anywhere

just dump it anywhere

(via legitcars)

valorcoalition:

This saturday @graveyard_eav presents @moptop from NYC! Come bounce with us!
 Ricky Furniss better known as DJ Mop Top has taken the DJ world by storm since his humble beginnings at the age of twelve. When he moved to Chicago his career blew up from opening sets to magazine features and music festivals. After a year in the city Mop Top was able to gain multiple residencies and even had the opportunity to open for Common in Milwaukee, WI. This, however, was only the beginning. In the coming years Mop Top founded groups such as Starters DJ’s, Mix-N-Mash, & his most recent project Chicago House Police. Being featured in URB Magazines next 100(0), Frank151 Magazine, UR Chicago, Chicago Reader and NY Magazine. Having the opportunity to play major US markets and even major festivals such as SXSW & play:stl festival. In 2009 Mop Top put out his first album entitled ‘Welcome to the Raveyard’ with legendary house label TRAX Records. Mop Top takes his listeners on a multi-media journey through music genre and time. Mixing together Dance, Hip-Hop, Top 40, Rock, Alt and Dub.

valorcoalition:

This saturday @graveyard_eav presents @moptop from NYC! Come bounce with us!

Ricky Furniss better known as DJ Mop Top has taken the DJ world by storm since his humble beginnings at the age of twelve. When he moved to Chicago his career blew up from opening sets to magazine features and music festivals. After a year in the city Mop Top was able to gain multiple residencies and even had the opportunity to open for Common in Milwaukee, WI. This, however, was only the beginning. In the coming years Mop Top founded groups such as Starters DJ’s, Mix-N-Mash, & his most recent project Chicago House Police. Being featured in URB Magazines next 100(0), Frank151 Magazine, UR Chicago, Chicago Reader and NY Magazine. Having the opportunity to play major US markets and even major festivals such as SXSW & play:stl festival. In 2009 Mop Top put out his first album entitled ‘Welcome to the Raveyard’ with legendary house label TRAX Records. Mop Top takes his listeners on a multi-media journey through music genre and time. Mixing together Dance, Hip-Hop, Top 40, Rock, Alt and Dub.

(via graveyardtavern)

obitoftheday:

wnyc:

Obituary for Matt Groening’s mother, who died recently. Simpsons fans will recognize some names.
-Jody, BL Show-
(h/t metafilter)

Matt Groening’s dad was literally “Homer.”

obitoftheday:

wnyc:

Obituary for Matt Groening’s mother, who died recently. Simpsons fans will recognize some names.

-Jody, BL Show-

(h/t metafilter)

Matt Groening’s dad was literally “Homer.”

not gonna lie - epaulette tattoos are bad ass but Im not russian and have not spent years doing wet work for the russian mafia…

not gonna lie - epaulette tattoos are bad ass but Im not russian and have not spent years doing wet work for the russian mafia…

slap your mama fine

slap your mama fine

(via automotivated)

By far
the finest tumblr
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in Russia